- Former Marie Sklodowska-Curie Fellow
My research focuses on understanding the sense of touch and its relationship with vision and hearing. I hope that my research will contribute to the teaching methods and the materials used with people who are visually impaired; for example, in education and rehabilitation (book illustrations); orientation and mobility (maps), and museums (art works). In particular, I investigate how people who use haptic touch – the combination of touch and movement – perceive and process shape information, and how this is affected by vision and hearing.
I use both quantitative and qualitative research methods – combining speed, accuracy, drawing, and/or think-aloud data. Recently, I have also started tracking the exploring movements and pressures of up to six fingers using a novel Android application and a tablet touch screen (with the tactile picture placed on top).
I am and have been the Primary Investigator and initiator of numerous research projects, for example ‘Seeing through touch’, ‘Attentive glimpse as retrieval associate’, and ‘InSIght’. ‘Seeing through touch’ showed that people’s recognition of tactile pictures improves when being taught, visually for 20 minutes or tactually for 45 minutes, to pay attention to object shape. ‘Attentive glimpse as retrieval associate’ showed which tactile shapes people perceive in early attention, and which rather require focused attention. This project also identified three discrimination strategies for detecting a tactile target-shape, and three location strategies for discovering and locating a (tactile) target position, including their phases of attention. ‘InSIght’ showed that people integrate both tactile and auditory and visual and auditory shape information. When experienced in using either haptic touch or vision, they also know when to ignore auditory information, for example, they can ignore the curved sound of the spoken word 'bouba', when exploring an angular (tactile/visual) shape like 'kiki'.
I am the invited Primary Investigator of 'Multisensory Access – bringing visual art to life through touch and sound' (Oxford University Museums), which was awarded one of the three prizes at the Humanities Innovation Challenge Competition, 2017 (University of Oxford), and the TORCH Research Fellow and initiator of ‘The Oxford Sound Album’. ‘The Oxford Sound Album’ will present the favourite Oxford city soundscapes, identified by people who rely on sound for spatial information and people who work with music and/or sound art: It will feature both outside and inside spaces, such as the sound of Radcliffe Square on an early spring morning.
‘You people who can see attach such an absurd importance to your eyes! I set my touch, my dear, against your eyes, as much the most trustworthy, and much the most intelligent sense of the two.’ [Wilkie Collins (1872), cited in C. Peters (ed.), Poor Miss Finch, p. 220. Oxford: Oxford University Press.]
Bouba or kiki with and without vision: Shape-audio regularities and mental images.
Graven T. and Desebrock C., (2018), Acta Psychol (Amst), 188, 200 - 212
How attention is allocated when using haptic touch: Shape feature distinction and discrimination strategy.
Graven T., EuroHaptics 2016, Part 1. Lecture Notes in Computer Science, 9774, 380 - 393
How individuals who are blind locate targets
Graven T., (2018), British Journal of Visual Impairment, 36 (1), 57 - 74
When the discrimination strategy fails: Revisiting the figure identity strategy, the global characteristics strategy, and the touch vision strategy.
Graven T., (2016), British Journal of Visual Impairment, 34, 121 - 129
Emsley, I., Graven, T., Bird, N., Griffiths, S., Suess, J., and Shaw, L. (2019). Please Touch the Art: Experiences in Developing for the Visually Impaired. Journal of Open Research Software, 7(4), DOI: https://doi.org/10.5334/jors.231
Graven, T. (2015). How blind individuals discriminate braille characters: An identification and comparison of three discrimination strategies. British Journal of Visual Impairment, 33(2), 80-95.
Graven, T. (2009). Seeing Through Touch: When Touch Replaces Vision as the Dominant Sense Modality. Saarbrücken: VDM Verlag Dr. Müller AG & Co.
Graven, T. (2005). Mental manipulation, thus recognition of familiar shapes: The influence of pre-cuing when touch replaces vision as the dominant sense modality. Visual Impairment Research, 7(2–3), 63–69.
Graven, T. (2004). Recognising tactile representations of familiar objects: The influence of pre-cuing when touch replaces vision as the dominant sense modality. Visual Impairment Research, 6(2–3), 99–110.
Graven, T. (2003). Aspects of object recognition: When touch replaces vision as the dominant sense modality. Visual Impairment Research, 5(2), 101–112.
PUBLIC COMMUNICATION & KNOWEDGE EXchANGE
- My research has been featured in the national media (e.g. by the NRK, Radio Z Norway, the UK Association for Accessible Formats, and forskning.no).
- ‘Multisensory Access – bringing visual art to life through touch and sound’ has been featured in the social media campaign #startedinoxford: http://www.ox.ac.uk/ research/started-in-oxford/soon-galleries-could-be-accessible-all (University of Oxford). See also: http://www.ox.ac.uk/oxford-heritage-projects/museums-and-blind
- I have initiated and coordinated a visual-tactile science-meets-art exhibition: 'Shaping Shapes' (Gallery Sverdrup, University of Oslo).
- I have been the invited specialist consultant on a tactile-visual poesy book: ‘Berøringsstrofer’ [(Tangible Stanza) Oslo: Solum Publishing House].
- Recommendations based on my research have been put into practise [e.g. in education (book illustrations) and museums (art works)].
- Mixing Up Shapes: 70% mix-up of angles and curves when using haptic touch.